Sunday, March 31, 2013

Mock Meat




Today is Easter, and in some homes, people are eating a traditional meal of lamb. This is, of course, to symbolize the sacrifice of Jesus as the Lamb of God, referencing the mystical cannibalization that is the heart of Eucharist ceremonies.

Perhaps a more basic mystery is that all biologic life feeds on some other form of life - botanic (plant) life gets its energy from the sun. (Which in itself is miraculous - imagine if all you had to do to feed yourself was to go outside and stand in the sun?). It's a means of reconciling the knowledge that we are eating a form of another living creature's pain and death.

Culturally - this brings up the idea that meat is the centerpiece of a meal. In America, it is often now the largest portion of food on the plate - vegetables, grains, fungi are "side dishes." Although, I am given to understand, prior to the rise of modern industrialized agriculture, the traditional centerpiece of most meals was the grain - bread or rice.

But as meat has become the "main course," for all American meals, not just holiday celebrations, I can't help but wonder if this was the impetus for the rise of mock meat. Soy and seitan, shaped into burgers, nuggets, "bacon," "steaks" - because culturally we can't wrap our heads around the notion that a meal cannot have some form of meat, pretend or otherwise. Some of this is probably a cultural relic in which meat was difficult to come by, and some of it is probably due to nutritionism and the "importance of protein."

Ask some people about vegetarians, and they will ask, "How do they get enough protein?" Yet, as the graphic from my first post on this blog reveals, it's pretty easy. This is not to say that sometimes a vegetarian might have a craving for something like the comfort food of their youth, perhaps a burger, and that a soyburger is a bad thing. But most vegetarians and begans will agree that it is possible to make a complete meal out more than just substitute meat products.

But today, for Christians at least, is a celebration of a sacrifice. This holiday is preceeded by Lent, the idea of "sacrificing" oneself by giving something up in order to create a better self. But I wonder, what if, in searching for a greater self, we recognized ourselves as part of a greater, biotic community? What if the "sacrifice" was to eat less meat, not just to ingest less death, or for health reasons, but to contribute to the prevention of global warming? What if the Earth iteslf, instead of being seen as something to exploit, was considered something worthy of a giving up something for?

Sunday, March 24, 2013

Ahimsa




I first read about the principle of ahimsa when I was at the gym, reading a old copy of a yoga magazine while on the elliptical. For those who might not be familiar, it is a Sanskrit word referring to the concept "do no harm."

In yoga, ahimsa is generally the first principle of the five yamas. Ahimsa also is a major principle of Jainism and various Hindu and Buddhist subgroups.

Ahimsa usually is discussed in regards to vegetarianism and veganism, the idea that the killing of flesh - and note that some Eastern religious do not differentiate between souls of animals over souls of human beings - is an act of violence. Practitioners are encouraged to avoid violence, as violence takes a person farther away from the divine source. And this includes taking violent death into the body in the form of food.

Although I've practiced yoga, I'm not a yoga scholar. However, I'm drawn to this principle. Yet it strikes me that I'd like another word, something that implies choosing to be nonviolent, or kind, to the planet. I think this idea is similar to Edward O. Wilson's concept of biophilia, or Glenn Albrecht's eutierria, but these seem to be more states of mind to me. Ahimsa to me is not just a noun, but a verb, sort of like the word love. It implies action, or possibly (as Albert Schweitzer critiqued) chosen inaction. Albrecht almost suggests this with his idea of terranascia, a word he defines as "earth creator," but I'm not completely satisfied with it. Again, it is a noun, and I want a verb. How can we call others to action to a state of mind? We need a verb to get there. And, while I believe a mental state can be an impetus, I think we are at a necessary state for action.

Since I'm not a good enough linguist to invent a neologism, I started thinking about how ahimsa could have a broader application today. Could recycling be a principle of compassion and nonviolence? Carpooling? Taking public transport? Buying organic vegetables? Shopping at farmers markets? Adopting from the ASPCA? Supporting and/or participating in community art? Working to eliminate racism and rape culture in culture and language?

Again, all these ideas are actions. Which is what I want this project to be, an action, an intervention, a compilation of questions that might not provide a simple solution.



Sunday, March 17, 2013

Beyond...at Moore College of Art and Design




This project was selected to be part of the exhibition, Beyond...at Moore College of Art and Design, as an accompanying exhibition to the Living As Form exhibition. The exhibition served as the Initial Public Offering for this project.

Part of the installation included the piece, 35.8 Kilograms, a sculpture that demonstrates the amount of carbon dioxide that is prevented from entering the atmosphere in one week of vegan eating.



The project is also currently on view as part of S'Long As Its Yours, at Gallery Aferro, in Newark, NJ. Thanks to the amazing Elena Bouvier for photos!

Thursday, March 7, 2013

Body as Site




Happy News! This project has been selected as one of the recipients for a 2013 Artist-Investigator Grant from the Triangle Arts Lab at Intersection for the Arts and California Shakespeare Theater! The funds will assist in video documentation and the cumulative event.

The grant is designed for open-ended, more experimental projects like this one. Last week, I attended the awards ceremony for the event, which included short talks describing the projects by some finalists and all recipients (for short descriptions of each of the ten finalists, please visit here). From what I learned there, I was the only recipient without at least some sort of theater or video/film background.

After the presentations, both Cal Shakes and Intersection said that part of their goals for these projects was to discover the next direction performance might take. In the initial call, they asked for proposals that asked had a "how" or "where" focus - although some apparently felt that they were both. So they turned the discussion to that of common themes that were cropping up - such as how the mediated experience might be a part of some of them. One suggestion that was made was the relevance of site-specificity, but it was pointed out for my particular project, my body is my site.

Which is interesting, not just in terms of new directions in performance, but in how the body relates to energy, food consumption, and food choices such as locavorism and the 100 mile diet. If the body is a site, what does it mean if the body can make it's own decisions? What does it mean for a body-as-site to move through space, or restrict its movement, particularly in regards to petroleum-based transport? How does a personality affect a body as site?

I think this project will involve bringing others to me, as site and as performance, as I envision cooking and hopefully interviewing investors in my space, in my home. Interestingly enough, this also makes me think about some of my criticisms of Land Art, namely, that it sees nature and landscapes as things to be exploited (and I am exploiting my own body).

Right now, this body has a lot of ideas and thoughts in its head, but I am enjoying how this idea keeps making connections with others. At the awards ceremony, two gentlemen from CalShakes told me that my project had been one of their favorites, and they were really looking forward to seeing how it worked out. More than anything, I want to thank the Triangle Arts Lab, Intersection for the Arts, and the California Shakespeare Theater for this support.

PLEASE NOTE:
The Carbon Corpus Project is still looking for investors! If you are interested, please contact me at michelle(at)michellewilsonprojects(dot)com .